Dec. 27th, 2007

megwrites: Reading girl by Renoir.  (Default)
A story about an author who "faked" a publicist in order to get published..

The opinions regarding this story on my f-list have ranged from outrage to "wow, that's clever!".

Sorry to say it (well, actually I'm not but I'm being polite here), I fall squarely with the people who think it's clever and aren't that outraged about it. I get why people would be outraged, but frankly I don't agree.

The fact is that while the publicist may have been fake, the book, the author, and the quality therein were not. No one was deprived of anything substantive. Okay, so he changed his name and pretended to be someone he wasn't. But the book was real. The quality of the book was real.

It's like saying you're mad because the guy who sold you your vacuum cleaner at a really good price said he was Steve from Pittsburgh when he was really Fred from Knoxville. You still have your vacuum cleaner at the price you desired, so what does it matter? The vacuum cleaner and the money you paid for it were genuine. And if he said he was from Pittsburgh because he saw you were a Steelers fan and knew it it would make you more inclined to listen to him, that's just good salesmanship.

So long as his product, his price, and his promises were genuine, I have no issue with it.

And I think getting freaked out over the sock puppetry is actually a bit disingenuous, really, especially for writers.

The history of writing is storied with people who have assumed names and put on personas so that they could get past an obstacle and allow their stories to be heard by people who would other wise be unwilling. People have switched genders and race and all sorts of thing for the sake of their stories. They just did it on the other side of the line. Do I need to begin with how many women authors have had pen their works under male names just to have someone even consider them worth reading, much less publishing? I didn't think so.

My real reason for not being at all outraged is a little less poetic, however. When someone finds a way to beat The System at it's own game, I cheer.

The fact is that you can be the most brilliant writer ever and never see print. You can do everything right and fail miserably. So, obviously doing right isn't the point of this industry or business. So long as publishing is based on business rather than merit, I don't see where anyone has room to bitch when someone plays the game better than they do.

The fact is, publishing is a business and this guy found a better way to place his product. Now, given, he was good at it and it was a triple lundy off the high dive which few (if any) should attempt to mimic, but he did it.

He knew what he was doing and he wasn't trying to run a scheme. Nobody was defrauded.

The facts are these (as they say on Pushing Daises): The publishing industry isn't going to be nice to you. They aren't going to be fair. They aren't going to hand you anything. They are not going to look out for you. Writers face everything from agents who really are just running scams to publishers who don't pay them fairly.

So, yeah, you have to look out for yourself. The publishing industry gets theirs, so you gotta get yours - to put it crudely. This is the business world, baby. Dog will eat dog.

Publishers and agents have bent more than a few writers over a chair, so I have no problem with a writer very skillfully making them grab *their* ankles for once.

As for me, I have no intention of trying to execute this kind of smooth move. I don't know a damn thing about marketing and I know that I just don't have the right kind of sensibilities for it. I already know that I need to have an expert (an agent). But if I really thought I had a grip on what to do and how to do it? I might give this a whirl.

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