megwrites: Reading girl by Renoir.  (Default)
So, I thought that I was ready to send Revenant Blues off in a couple of weeks, once I got the finishing touches done.

I said to my Self, I said, "Self, this thing has been stretched and strained and revised. It's been injected, inspected, detected, infected, neglected and selected. Self, it's time to send this thing off."

And Self said, "The *hell* it is. For the love of cheesecake, woman. The point is to get an agent to represent you, not make them hurl the manuscript across the room. Have you looked at the exposition? Seriously. Read it. With your eyeballs."

And I said, "I have, thanks. It's ready. I can't revise this thing anymore."

So Self, ever snarky, said, "Of course you can't. You can't revise SUCK. It's pretty much an inert state of being from which nothing returns."

And I, looking at various practical matters said, "Self, I do not have time for this. It's ready."

Then Self said, "No, you got time. You just don't have guts. You really wanna know what the trouble with this thing is?"

I, rolling my eyes replied, "Sure. Enlighten me."

Self said, "You got all these banners and quotes that say how unafraid you are and how you're gonna do it your way. But 160,000 words later, you're still telling the story every which-a-way but your own. Dude, you gotta fight the power. Just say no. Spank your inner moppet."

I said, sounding a lot like Pete from O, Brother Where Art Thou: "That don't make no sense!"

Self said, "I'm not here to give you all the answers. I'm just letting you know that you need to do another draft, 'cause this one blows like the northern wind, baby. It's not the story you wanted to tell. Your story kinda rocked, but this story? This story doesn't even know what the rock is cooking."

I said, "You so need better metaphors."

Self said, "No I don't. You need another draft."

I said, groaning, "That will take months. Months! I do not want to wait another YEAR. I can spend another decade riding this pony, but at some point I either have to tinkle or get off the potty."

Self said, "And you said I needed better metaphors. Sheesh. You in a race or something? Okay, fine, so you spend a year or two or fifty trying to do your best. All I'm saying is this: you loved this story for a reason. And you stuck to it for a reason. And you revised and you researched and you stayed up late and you dreamed of it for a reason. So why half ass it now?"

I didn't have a reply there. Self, ever egotistical and Id-tastic, sauntered off to relax and wait until there was something interesting going, or you know, porn (THE INTARWEBS IZ FOR PR0N!).

There, I realized that Self was right. Revenant Blues is not near ready.

And I have the banner on my userinfo for a reason. Not because it looks pretty (it really doesn't), but because I made a promise to myself that I was going to do this thing. This writing thing. I was going to do it all-out, no-holds-barred, gloves-off, full-goose-bozo and hold nothing back.

Including another draft.

*sigh*

So here's me, trudge, trudge, trudge, trudging. Draft #4, here I come.
megwrites: Reading girl by Renoir.  (Default)
The basic question is this: is having a novel with a word count above 100,000 the absolute death of any hopes for publishing a work you may have?

It's come upon me that even with the massive editing I've been doing, that Revenant Blues is going to be a little on the hefty side.

I've taken out big spots of unnecessary dialog, characterization, description. I've even cut most of the ending part out and gotten straight to the big finale.

But. Still. This thing looks like it's going to come to 140,000 - maybe less if I go through again and go line by line and get rid of some of the prose-level flourishes I sometimes indulge in. I could maybe get this sucker down to somewhere in the 130,000-120,000 range. That's if I start wacking away like a weed whacker at everything.

But there is just no way to cut out 40,000 words without taking out chunks of the book that would leave it unable to function.

I've been carving this thing down to nothing but that which is absolutely relevant to the story. I've been cutting out favorite scenes and such - to no avail. The word count keeps staying high.

In one of the books I'm reading on agent-hunting and the like, there's a big emphasis on having a novel that's 100,000 words, and a lot of quotes given by agents to that effect.

But I also noticed that these agents didn't really work in the fantasy field, either. These were people from the literary, suspense, and romance neck of the woods.

So I need people who know. I need people who can give it to me straight. Help!
megwrites: Reading girl by Renoir.  (Default)
Am editing. Feels like drowning and discovering you're in the wrong ocean to begin with, but the mermaids are pretty. Also, treacherous.

Considering taking up an easier profession. Like moving the Great Lakes to Utah with a teaspoon and a ziploc bag. It could be rewarding. The people in Utah would probably love some new bodies of water.

Inspiration now entirely consists of looking at books that are crappy and reminding self that if that dipwad can get published, anyone can and researching agents and reminding self that eventually one of their other writers has to die or quit writing sometime, thus opening a spot.

Suspect exclusion from the subset of 'anyone'. Huh.

Back to editing. Will send up a flare after washing up on the shores of scary island known as Submissionland. Have heard tale that no one comes back alive.
megwrites: Reading girl by Renoir.  (Default)
It being NaNoWriMo and all, I've basically left Revenant Blues to ferment on the way back burner, but I took a moment to look over it and over the comments from the two people who read it ([livejournal.com profile] captainscience and [livejournal.com profile] vicki7778999) and I realized this:

Fuuuuuuuuuuuuck, man, I have to restructure, rewrite, and rethink this whole thing.

I'm not sure where I got the wisdom from, but I know exactly what I need to do. I know where the fat needs to be trimmed, and I know where I need to dislocate a few joints. Like being a butcher, really.

But that can be December's problem. Possibly January's.

I think Alan Alda's advice for acting is also good advice for anyone who thinks they might want to be a writer: "If you can possibly do anything else and be happy, do it."

I love writing, I love being a writer, I wouldn't trade this (even the angst and editing and the woes and great probability of dying in penniless obscurity) for anything.

There are days when I am absolutely sure that this is the only thing that justifies my existence on this Earth.
megwrites: Reading girl by Renoir.  (Default)
1. I need about two or three trusty people to read over my novel and give me comments. Sort of like a beta-read. I realize this is a big thing to ask, and I realize that people have lives. But I would really appreciate it. I'm not looking for anything fancy. I'm just looking for someone who can read it and tell me where things are boring or slow or don't make sense and the like.

In essence, I just need to see this thing from the reader's eyes - and I can't think of any other way besides just asking a couple of people to be readers and tell me what they see.

If anyone else has a better suggestion, let me know. But I do need someone else to look at the novel and tell me what's going on. Because being the writer, I have big honkin' blindspots.


2. things I learned from writing a novel )
megwrites: Reading girl by Renoir.  (Default)
So, I get down to the last THREE frelling chapters only to realize I have to completely GUT one of them and sew a couple of others together to make things work.

*sobs*

And I was going at such a good pace.

But at least I'm at the last there chapters rather than say, back at chapter 11 which sucked beyond the measure of sucking.

I just need to finish this thing. Once I finish it, even if it does nothing but collect dust 'til the end of time, I will know that I could do it.

I will keep these promises to myself.

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